Showing posts with label Mika Miko. Show all posts
Showing posts with label Mika Miko. Show all posts

Wednesday, June 3

Hanging out with Mika Miko.

. Wednesday, June 3
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for Gigwise.com

Anyone who has heard Mika Miko’s new album ‘We Be Xuxa’ will know they’re not a band with a long attention span. Their songs are bratty, trashy sub 120 second punk splurges that shake and rattle and never ever outstay their welcome. Meeting the band on an unfeasibly hot May afternoon has led to the dressing room venue becoming like a sauna, this being a Barfly however you have to add the word toilet in there somewhere so for all parties involved we move outside to bands home from home, their van. The band, consisting of sisters Jenifer and Jessica Clavin, Michelle Suarez, Jenna Thornhill and relatively new recruit (and sole male) Seth Densham gather around a small table strewn with celebrity gossip magazines and bottles of beer. “Oh my God, it’s Beth- look!” screams Michelle spotting a picture of Mika Miko’s touring buddy in her magazine alongside Kate Moss and Victoria Beckham, “Why is she in there? It’s so weird.” She says, which when you think about it- it really is.

As we’re in Liverpool (MM are here to play a show with Black Lips and a million other cool American bands- all congregated outside the van, the interview is interrupted a few times by the softly spoken members of the Soft Pack) talk turns to the cities musical heritage, “Imagine if your home town became like a theme park of your life! Says Seth, “how weird would that be?” They all agree that the Magical Mystery tour is something they will venture to do next time they are in town and in many ways Liverpool’s local scene is mirrored by that of the current LA and Smell Club set up but instead of Cast, The Coral and Shack they have HEALTH, No Age and Abe Vigoda. 1-0 LA. “Y’know, the greatest thing is that none of us sound the same as each other, we just made friends with this bunch of bands and we actually see them way more often on tour in Europe or across America than we ever did when we lived in LA.” Says co-vocalist Jenna. “The greatest thing is too, that when we go away touring (MM are currently on a 6 week tour of Europe) that when we come back there’s a whole new wave of bands coming through and they sound totally different to everything that was happening when we left.” Do the band ever get sick of being asked about were they’re from though? As if one venue in one city defines who they are somehow? Jenna jumps in, “I get sick of trying to answer the same question in a different way every time. Most rock journalist’s suck so bad at the moment, they’re all stuck three years ago because they didn’t do their homework and it’s not that hard Y’know?” A lone copy of NME sits idly on the table in front of us.

So, who exactly is the eponymous Xuxa? “She was a nude model, a singer, an actress- she had a kids TV show too which was so cool” says Michelle. “My parents are from Argentina so I’d see Xuxa on TV whenever we went there on vacation; she was always on at a weird time- like 6am. I don’t remember first seeing Xuxa, I just remember Xuxa being there since I was a child. There’s a picture of me, I think I was about four and they had to put a gate around the TV to stop me watching it- like the thing that should stop you falling down the stairs that was used in my house to stop me watching Xuxa because I’d get so excited I’d wanna dance with the TV!” Much of the talk about Mika Miko’s new album is that they have managed to get nearer to harnessing and capturing the live show onto a record, do the band feel they have managed this? Jenna starts,“ I never really thought that the way you sound live should necessarily bear any resemblance to how you are on your albums but then people would come up to me and say about how big the difference is. Then again I don’t know what we sound like live though because I’m always on the stage!” Michelle then interjects, “I’d far rather people liked us live than on record because if I like a band and then go see them live and they’re bad it really sucks and it’s way more disappointing. I get really attached to music and if I love a band and they let me down I can’t listen to that anymore.”

As the interview threatens to run into the bands stage time (we turn off the Dictaphone 15 minutes before they’re due on) Mika Miko run out of the van and go attempt a slap dash and rudimentary sound check. As far as bands go you’ll struggle to find a more friendly and welcoming bunch and the sense of gang mentality between them is infectious, be sure to check out ‘We Be Xuxa’ but more-so go see the band live, they won’t let you down.





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Thursday, May 21

This is where I am tonight....

. Thursday, May 21
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Jealous? I hope so. It's for Sound City in Liverpool, sort of like a smaller Great Escape or Northern version of Camden Crawl. The line up is good though, over the three days I'm there I'm hoping to catch Pulled Apart By Horses, Patrick Wolf, Ipso Facto (headlining the Gigwise stage), Sky Larkin, Metronomy and possibly Eugene McGuinness, Chew Lips and Deerhunter. Sadly I'l miss Enter Shikari which is a shame as this is the funniest video/ song I've seen all year- Dizzee Rascal could learn a thing or two...





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Thursday, April 16

My reviews for Clash Magazine- May 2009

. Thursday, April 16
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Kap Bambino

Blacklist

Because

When most bands “Go pop” it tends to involve moving away from music as visceral as this. Kap Bambino’s third album is a move towards a more commercial sound however fans should not worry, ‘Blacklist’ is as aggressive as anything the French duo have made before just with an added layer of gloss. Cynics may suggest the success of Crystal Castles may have prompted this move and when listening to the glitch punk thrashings it’s hard to disagree. Imitation is a form of flattery though and the likes of ‘Dead Lazers’ and ‘Lezard’ add bouncing techno beats to the 8-bit bleeps of their Canadian counterparts. Synths and electronics thump away relentlessly throughout with ‘Blacklist’ remaining tantalisingly short and effortlessly violent.


7/10


Post War Years

The Greats And The Happenings

Wealth

The problem with a band having major success one year is the stream of derivatives that follow them. Best exemplified in recent times by the post Amy Winehouse success of Duffy it’s an issue that plagues the success hungry record industry. What we’re saying in a round about way is that Post War Years sound like Foals, a lot like Foals. ‘The Greats and The Happenings’ is by no means a bad album but once you have the idea of them studying 2008’s ‘Antidotes’ from the Oxford quintet it’s hard to forget (and Foals are hardly original themselves). Demographic exploitation aside Post War Years ply an interesting line in math-pop with off kilter rhythms and gang dance vocals however you can’t help thinking this is for genre fans only.


5/10

Mika Miko

We Be Xuxa

Post Present Medium

For some, Los Angeles is a botoxed and vacuous never land of broken dreams. For others though it’s fast becoming the home of American alternative music (Brooklyn aside). Last year saw the city’s premiere DIY rock venue The Smell puncture the public conscious and a subsequent raft of Smell affiliated bands release fine debut LP’s. Mika Miko are forefathers of The Smell rather than plucky beneficiaries though and they return with their second album proper. The twelve lo-fi pop nuggets on ‘We Be Xuxa’ pack in enough charm and grit into each sub two minute gem instilling a sense of a band being an exciting, old school punk band mixed with a modern love of cross genre experimentation. LA- the city of Angels bratty teenage cousins.


7/10


The Gay Blades

Ghosts

Something In Construction

In terms of band names ‘The Gay Blades’ is not exactly a good one. Amazingly though it is probably the best thing about this woeful New Jersey two piece. ‘Ghosts’ is a rock album by numbers sounding in parts like a cross between The Kooks and Orson. Like the house band in a Hollywood teen movie they make songs such as ‘Hey She Say’ that sound like they could only be played by a middle aged man with one foot on his amplifier and a smug look across his face. The Gay Blades claim to be making ‘fun music, the complete opposite to Conor Oberst’ failing to see that whilst Bright Eyes might not soundtrack many parties they are talented, popular and destined for longevity. Very much unlike The Gay Blades.


3/10


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